From Robot Chicken to Buddy Thunderstruck to quirky shorts and highly polished commercials, Stoopid Buddy Stoodios is a powerhouse of ideas and creativity. We sat down with Eric Towner to talk through his career, and the creative process and idea machine at stop motion house Stoopid Buddy. 

If you’re interested in animation and haven’t seen The Unloved, a Christmas film for French supermarket Intermarché, then you probably haven’t been online in the past couple of weeks. Love for this piece has spread far and wide, way beyond its intended French audience. With hundreds of millions of views across various platforms, it’s a remarkable achievement.

DreamWorks is back with another dose of action packed non stop animated fun and we're back with director Pierre Perifel to talk all things Bad Guys 2. With only 3 short years between releases, this chat dives into everything from concept to scope to rhythm and pacing to lensing and more!

On a recent trip to Kidscreen Summit, we had the opportunity to sit down and discuss distribution with Alison Taylor from Aardman and Ed Galton from Cake. With our industry undergoing so much change, we wanted to hear what it was like on the distribution side of the business, and how these two companies, with very different beginnings and operations were navigating the change. 

This episode is a must-listen for anyone developing an original series and wondering how they'll get it off the ground. A combination of passion, perseverance, and a great partnership of the right people made the special sauce to get Stan & Gran into production. Based on an idea Jon Mason had a whopping 12 years ago, perseverance looms large here. His partnership with Natalie Llewellyn was pivotal as you'll hear in this conversation.

The Wild Robot is here - a film I and a lot of the industry have been looking forward to getting their eyes on since we first saw the teaser. 

Most of the major animated feature hits of late have been sequels and spin-offs, so when I got a glimpse of The Wild Robot from DreamWorks, I was very excited. First of all, I love robots of course. But there is something about the fish-out-of-water scenario of putting a robot into the wilderness that is immediately striking. Even the name of the film depicts so much and immediately you want answers to some questions that pop into your head. 

In this episode, Rick Mischel returns to chat about the general state of the industry and where we're headed. Rick recently bought a studio, so he has some optimism there! It's a fascinating conversation and I encourage you to engage in the ongoing conversation with us - we'd love to hear your thoughts and feedback.

How low can you go with a CG feature budget to create a very entertaining, high-quality-looking animated film? Listen in to this one to find out as I dive into the deal-making and production of The Amazing Maurice with Producer Andrew Baker.

'The old school house', 'speeider' and 'the sun is warming up' were just some of the memorable lines quoted by my kids for years from the original Megamind movie originally released back in 2010 - a very different animation and media landscape than today.

Welcome to our second annual Kidscreen Conversations episode. We headed to San Diego, not Miami this year for the first West Coast Kidscreen. As always it was a great event, although the sun decided to skip it this year!

Our guests this year are Rob Doherty, a consultant with great insight into the industry and founder of Festivus, an animation org that parallels the Creators Society in some ways in the UK, Sueann Rochester, Managing Director of Wild Child Animation in Scotland, and Lucy Murphy, director of kids content at Sky in the UK.

Today we chat with Sean Charmatz and Peter McCown from DreamWorks about their new film Orion and the Dark, which is out on Netflix.

Today was a treat as we chatted with Mike Lasker, VFX Supervisor on “Spider-Man: Across the Spider-Verse”, working at Sony ImageWorks. I don’t know about you, but the movie blew me away, and when it finished I sat there with so many questions - many around the theme of ‘how the hell did they do that?!’

In today's episode, we have a conversation with Sandy Wax - a former Discovery, Disney, and Sprout executive. Sandy is delightfully curious, and that curiosity really paved the way for so many things - from her interest in research, to how that ties into content development and marketing and branding - and what led to her becoming CEO of Sprout for over over 10 years.

For this episode, we're breaking down The Inventor with an 'Anatomy of an Indie Stop Motion Film'. We first had Jim Capobianco on the show almost two years ago! In that chat, he talked about the stop motion feature project he'd embarked upon. With the Inventor releasing in theatres on Friday, September 15th, we thought doing a deep dive and breaking down how it made it to screen would be a great idea. To do so we were joined by Jim, the film's writer and director (Jim was also Oscar-nominated as co-writer of Ratatouille), Co-Director Pierre-Luc Granjon, and Line Producer Kat Alioshin.

If you're looking for some career inspiration, look no further than this episode with guest Bobby Chiu. Bobby's career is an example of tenacity, purpose, and a drive to not only be a great artist but to be great FOR artists.

In this episode, I got to chat with Kirk DeMicco and Faryn Pearl, the director and co-director of DreamWorks Animation's latest film, Ruby Gillman, Teenage Kraken.

This film is refreshing in that it's focussed on a young female protagonist, and the entire thread of the story focusses on 3 generations of women - well, kraken women.

In this episode, we chat with Gary H. Lee, a layout, pre-viz, and cinematography guru who has also directed a couple of amazing shorts. Gary has an amazing career story that we know you'll enjoy, from working on one of the biggest film franchises of all time at age 19 to working with Ang Lee on Life of Pi, he has an incredible amount of experience and insight. We discuss his career, his thoughts on where pre-viz is going with Unreal, and how he used pre-viz to get his ambitious short films into production.

In 2022 Animation Magazine celebrated 35 years, so I sat down with Jean Thoren, a serial encourager, to talk about her's, and the magazine's journey. Jean and Animation Magazine have seen so much change in the industry over the past 35 years, and we chat about how it all got started when Pixar was emerging, Disney was changing, and the evolution of animation from being pigeonholed for kids to having the wider audience it has today.

Sometimes you see artwork that leaps off the screen - almost like visual click bait! Joseph Feinsilver's concept art did that to me when I spotted it on Instagram, so I wanted to chat with him about his story, his process and his work on Puss In Boots: The Last Wish.

This week's episode is a bit of a departure from our regular format, as we chat with 3 people from Kidscreen Summit in Miami and share some of my own thoughts on Kidscreen and making the most of it.